Very excited to be at this point in the painting. I prepped & “sunk” the boat last night. A beautiful day at 46°F to spend under the sky. I have my work cut out for me now.
Video can bee seen at my Instagram.
Things are taking shape. Of course, finishing the boat is just the beginning. Once completed I’ll then ruin it, set it in the painting, and then begin salvaging/repairing it.
I started this painting more than two years ago and am at last beginning to see its outcome.
Today I’m checking the proportions and relationship between the wooden boat and the painted surface. Long way to go on each, but I’m very happy with how things are turning out.
I have a thing for fishing lures. I’m not sure why exactly… I don’t fish. Here’s some details from past #paintings. I use ashes and small seeds from our field for texture.
Here’s a great writeup on my painting Verehrung, which is currently on display in the Profiles showroom in NYC:
Visualizing the Passage of Time in Eric Lee’s ‘Verehrung’
Materials should lend themselves to the conceptual framework of the work at hand. The basic question “Why am I painting this?” is central to understanding what it is I’m doing. If what I’m saying is better said with another material, I don’t argue with that.
Intent is paramount. There’s nothing haphazard or random in this process. All sorts of factors must align and find cohesion within this framework. Uncertainty is always present, but it’s through the winnowing process of self-honesty and devotion to what specifically I’m trying to say that something new and strong emerges.
ERIC LEE 
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