Suminagashi: Under the Microscope with Eric Lee
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Detail of Developing Work
New Miniature In Progress
12″x12″ mixed media.
The Flatiron Design Collective
Materials and Intent
Materials should lend themselves to the conceptual framework of the work at hand. The basic question “Why am I painting this?” is central to understanding what it is I’m doing. If what I’m saying is better said with another material, I don’t argue with that.
Intent is paramount. There’s nothing haphazard or random in this process. All sorts of factors must align and find cohesion within this framework. Uncertainty is always present, but it’s through the winnowing process of self-honesty and devotion to what specifically I’m trying to say that something new and strong emerges.
Detail of Lodz, 12″x12″ on canvas.
Detail of In Broad Daylight, 12″x12″ on canvas.
Detail of In Broad Daylight, 12″x12″ on canvas.
In Broad Daylight
Developing the small painting In Broad Daylight, 12″x12″. Oil, aluminum, wood, linoleum, industrial paint, cloth & resistors.
This work, along with other miniatures on which I currently work deal with atrocities and personal anxiety.
Developing the small painting In Broad Daylight, 12″x12″ on canvas.
Detail of In Broad Daylight, 12″x12″ on canvas.
Now Hanging at the NYDC – NYC
The paintings Lucifer and Springtime on Winter Street at the New York Design Center, Lee Calicchio’s booth.
