2010-11

Ink on paper, 2010
Ink on paper, 2010

2010-11 focused less on large paintings than on the exploration of specific materials — charcoal, various inks, plastics, paints and continued work with various flamable materials — and their characteristics. My main concern was the behavior of materials when subjected to deteriorating circumstances, such as water, fire, freezing and the stresses of compression. This is an extension of my overall interest in the passage of time and temporality.

Ink 2
Ink 2, 2010
Ink on paper, 2010
Ink on paper, 2010
Ink on paper
Ink on paper, 2010 sold
Prey, 2010
Prey  2010, ink, ignited matches, ignited gunpowder on photo paper
Original Sin, 2010
Original Sin, 2010, ink, ignited matches on Mylar. Part of a private collection.
Compression painting
Compression: the Bending Moment, 2010 acrylic, ignited gunpowder, steel, ashes, paper, on canvas 5′ 3″ x 2′ 2 3/4″
detail
Compression: The Bending Moment, detail
Compression: The Bending Moment, detail
Compression: The Bending Moment, detail
detail
Compression: The Bending Moment, detail

 

Irradiance, 2010 oil, acrylic, ignited match-heads, paper, concrete on canvas 5' 3" x 2' 2 3/4"
Irradiance, 2010 oil, acrylic, ignited match-heads, paper, concrete on canvas 5′ 3″ x 2′ 2 3/4″
Untitled, 2010/11, ~10
Untitled, 2010/11, ~10″x5″, oil and ignited gunpowder on tagboard mounted on canvas  sold
Untitled
Untitled, detail
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